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Lee as Forrest Gump

While reading and discussing Libra, I thought that Lee had very similar characteristics to Forrest Gump. Primarily regarding Lee’s tendency to be on the sidelines of major historical occurrences. Whether intentionally or not, Lee is seemingly observing monumental moments in history similar to how Forrest Gump finds himself observing the critical historical moments of his time period.  We see Lee traveling to the Soviet Union during the Cold War, and helping interrogate the downed U2 pilot during the international crisis. He positions himself in anti-castro organizations and hands out political leaflets. In many ways we see Lee’s desire to be remembered and align himself in the broader arc of his historical time period. Viewing his own detainment as signs that he is a political revolutionist, Lee is almost always attempting to merge his identity with that of the world around him.  We see Forrest Gump do this as well. He finds himself fighting in the Vietnam War, accidentally vi...
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Kevin, The Unused Tool

  Kevin’s character in Kindred was basic. He enters the 19th century as a normal white male from the 1970s. As he is forced to ‘role play’ with Dana into the roles of slavery, Olivia Butler begins to drop hints that he is beginning to internalize the world of slavery. He begins to talk about how the Weylin plantation is not that bad, having had only one whipping. He claims that things around the house “just gets done.” With all these hints that Kevin was beginning to internalize the dynamics of the 19th century, we see no further development of this. Kevin escapes to the north and helps the underground railroad, and when he meets Dana again his morals and thoughts are relatively unchanged.  Personally, I think Kevin's character in Kindred was two one-dimensional. The way Kevin is maintained as a non-racist, 1970s man makes his involvement in the story unimportant. I think Kevin could have had a valuable experience having gone to the 19th century as a white man, similar to Dan...

Would Mumbo Jumbo Work Now?

  Mumbo Jumbo’s Jes Grew epidemic can be compared to that of a cultural wave. Aligning roughly with the jazz revolution and Harlem Renaissance, the novel provides a general framework by which artistic/media trends come about, spread, and eventually exist in their original spirit or die by losing the flair that made it special. In today’s culture, where Jes Grews seem to be coming from everywhere on social media, will we ever see a Jes Grew die in the same way Jazz did according to Mumbo Jumbo? To begin this argument we must first define what it means for a Jes Grew to ‘die.’ I think Mumbo Jumbo is trying to make the argument that a certain cultural wave doesn’t disappear, but loses its emotional spirit or flair. Let’s take Jazz for example (I am not completely familiar with Jazz history, but I think this is a reasonable generalization). Jazz began to gain popularity for its spontaneous and improvised nature, and how that provided listeners with excitement. It was frowned upon by cl...

Tateh's Success and its Hidden Messages

  The beginning chapters of Ragtime contain graphic and heart wrenching descriptions of Tateh’s life as an immigrant. Brutal descriptions of poverty, human suffering, and abuse provides a starting ground for him and his daughters ascendance to the higher ranks of the American status.  Ragtime uses many individual storylines as allegories for larger societal and class dynamic issues of the 1920s. Tateh’s ‘rags to riches’ plotline is no exception. However, besides the usual idea of finding his talent and place in the world, Tateh’s storyline provides a crucial message about how to find success in the American capitalist system.  When Tateh boards the train and runs off from the striking and violence occurring at his workplace, he says that even if they won the strike his wage would only increase by 2 cents. His escape into a different town and making money using his own talents and initiative is therefore tied with the idea of leaving the rest of the working class behind....